Characterizations from the futuristic and the uncivilized world also serve to introduce variety into the novel. Some attention has to be given to John who has never been a victim of brave new world conditioning even though he has been educated by a conditioned mother, namely Linda, who is a Beta minus. Moreover, it is interesting to analyse what social interaction in the World State is like or supposed to be, what social principles are proclaimed and what influence is exerted by the drug . This will be an attractive subject for several teaching units.
On C1 and C2, which follow TS B1-B9 and may have been written when they were, the Savage invites Bernard to live with him in the country. "Linda died this afternoon," he tells Bernard, but does not say how. The earliest version of Brave New World did not dramatize Linda's death or the disturbance her distraught son causes at the Park Lane Hospital. Bernard declares himself willing to accompany John, provided he can get time off, a reply that reduces the Savage to violent laughter. If C1 and C2 originally followed John's interview with Mond, John's derision may have provoked Bernard to sterner measures.
An early version of the novel's climax, the Savage's debate with Mustapha Mond, survives as TS B1-B9 in light, faded, purple type. This simpler affair is conducted without Bernard Marx and Helmholtz Watson. Part of the initial draft of Brave New World, it contains only two references to Henry Ford: Mond's resolution to keep "God in the safe and Ford on the shelves" and his exclamation "Ford forbid" when the Savage asks why brave new worlders are not allowed to do things '"on their own" (BNW 272, 279). Chapter 16, the preliminary skirmish between Mond and the Savage with Marx and Watson involved, probably was written later than the climactic debate. It makes no fewer than six references to Ford, including the only mention of his autobiography: skimming My Life and Work, John concludes that Ford's life story "didn't interest him" (BNW 257).
Huxley identifies totalitarianism with the conditioning of human nature through applied psychology. But scientific persuasion, among the applied sciences, may not be limited to psychology alone, but could be extended to biology and chemistry: Pavlov’s studies into the conditioned reflex become then his principal source. In short, the post-Pavlov scientific Machiavellis could condition the individual at the roots, genetically and biologically, through brainwashing, subliminal projections and hypnopaedia, fulfilling the dream of every leader: a benevolent totalitarianism which, by guaranteeing the (conditioned) masses (conditioned) happiness, would become infallible. In Brave New World, all this is the nightmare come true of perfect totalitarianism, and the manifesto of political realism carried to the utmost consequences in the century of applied science – consequences that, thirty years later in his Brave New World Revisited, Huxley will show to be in no way the result of guesswork.
See particularly Huxley, Brave New World Revisited, 232.
According to Grover Smith's chronology, Huxley wrote Brave New World in just four months, "May-August 1931" (14), a remarkable achievement. (21) To Mrs. Kethevan Roberts, Huxley divulged on 18 May that his next novel would concentrate "on the horrors of the Wellsian Utopia and a revolt against it" (Letters 348). This sounds like the straightforward parody of Men Like Gods in which the Savage is brought from the reservation and, unlike Mr. Barnstaple, rebels against the supposedly utopian society to which he is exposed.
Counterpoint of flight: Huxley's early novels / by Jerome Meckier --
The journey beyond the Mexique Bay (1932-34) that follows the publication of Brave New World represents a definite watershed in Huxley’s political thinking. After a careful analysis of the causes of war, among which psychological causes inevitably occupy an important position, he champions an ethical pacifism in which “the individual work for reform” – especially, given the previous considerations, among the men of applied science – becomes the sole instrument in breaking the depressing reality principle constituted by the spiraling violence caused by the egoism, hatred and vanity present in human nature: Gandhi becomes Huxley’s principal source in his reflection upon the importance of the means in achieving the end (of international peace). Even so, the influence of Russell’s Which Way to Peace? is evident, especially in What are you going to do about it? and in An Encyclopaedia of Pacifism.
Huxley supposedly preferred "constant piecemeal revision" (Wilson 30-31). That is, he produced "successive versions of typed pages," all of which he "revised by autograph emendations" (Watt 368). The novel allegedly grew by "insertions of short passages" typed or in ink or between lines, and by inclusion of "longer ink passages in 'balloons'"; rarely does one find expansions of "cancelled sections" or "whole new pages" (Wilson 35). But Huxley's letters in spring and summer 1931 suggest a major rethinking; they indicate that he undertook at least one massive overhaul of the Brave New World typescript. The modern literary masterpiece known as Brave New World is the result of this large-scale revision, much of it an Americanization.
Music of humanity: Point Counter Point / by Peter Firchow --
Description : A witty recounting of a house party, wherein Huxley satirises the fads and fashions of the time--we hear the history of the house 'Crome' from Henry Wimbush, its owner and self-appointed historian; apocalypse is prophesied, virginity is lost, and inspirational aphorisms are gained in a trance. The protagonist, Denis Stone, tries to capture it all in poetry and is disappointed in love.